Campaña - 2/18/26
For Spring Summer 2026, Marine Serre returns to what lies at the origin of her work: the garment as necessity, as gesture, as protection. Titled THE SOURCE, the collection embraces a wardrobe built with intention, where craft, transformation and responsibility meet a sharper sense of sensuality.
Across the season, silhouettes move between structure and fluidity, day and evening, ease and precision. Regenerated and upcycled materials anchor the House’s commitment to circularity, while refined construction, from jersey second skins to sculpted denim and worked leather, reaffirms MARINE SERRE’s language of modern elegance: functional, intimate and quietly powerful. From this approach emerges the Spring Summer 2026 campaign.
Friend of the House Ester Expósito stands at the forefront of the campaign, embodying a vision of the MARINE SERRE woman: instinctive yet self-possessed, sensual without excess, confident without performance. She brings a calm intensity that resonates with the collection’s spirit. Grounded in her body and fully present in her gestures, she inhabits the clothes rather than performing them. Her presence reflects a generation moving fluidly between vulnerability and control, softness and authority, a femininity that is intimate, contemporary and assured.
Alongside her, model Momo Ndiaye introduces a complementary masculine presence. With his natural elegance and understated strength, he brings balance to the narrative, expressing quiet confidence and refined ease that echoes the collection’s dialogue between structure and instinct.
Photographed by Sarah Piantadosi at the Hôtel Grand Mazarin in Paris, the campaign unfolds in three chapters, each offering a distinct interpretation of the collection. Following Ester across the campaign, the narrative traces evolving states of femininity — instinctive, reflective, and then fully owned — unfolding within a lived-in interior where presence takes precedence over display.
Chapter I — The beginning
The first chapter explores femininity before self-surveillance, before expectation, before performance. A suspended moment where the body exists without comparison, where identity remains instinctive. A state where femininity is felt rather than defined The visual language settles into a muted, intimate atmosphere. Light is softened, gestures remain unguarded, and the space feels inhabited rather than staged. Ester moves through it with ease, at once natural and composed, as if the camera had simply entered a moment already unfolding.
At the core of the chapter appears a red jersey dress draped close to the body, as if the fabric were wrapping and tracing it in one continuous gesture. The garment follows every curve with precision, clinging to the silhouette as a second skin. It does not impose shape, it reveals it. The body leads, the fabric responds, creating a silhouette that feels instinctive and inevitable.
Throughout the chapter, garments follow this same logic: clothing as an extension of the body rather than an addition to it. Couture-worked leather pieces introduce structure without rigidity, while all-over Moon sculpted denim anchors the wardrobe in recognizable House codes. Day and evening blur together, forming silhouettes that move naturally between states of presence.
The principle remains constant: the garment is conceived as a second skin. The body remains central, neither concealed nor constrained. Clothing becomes a layer through which the body expresses itself, enhancing rather than transforming. On the body, the garment comes alive. Accessories appear as quiet companions within this intimate setting. The Aurora bag punctuates the chapter with understated authority, functional yet sensual, present without overpowering, embodying a sense of subtlety and quiet luxury while reinforcing a femininity that belongs entirely to the one who carries it.
The next chapters will be revealed soon, continuing this evolving exploration of femininity as it moves from presence to self-possession, at once savage and graceful.
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